In the Media
The New York Times Review: “Two Concerts Reveal a Dramatic Shift Between Mahler Symphonies”
“Golda Schultz’s sparkly soprano was beautifully suited to the vocal solo in the final movement. Her absolute optimism was seemingly untouched by earthly matters.” Read the full review from The New York Times - “Two Concerts Reveal a Dramatic Shift Between Mahler Symphonies”.
Golda Schultz in Don Giovani
Annette Friday from Journal 21 recently met with Golda to chat with her about her current performance in Mozart's opera Don Giovanni at the Zurich Opera House. Read the full interview online today.
Starke Stimme: Die Sopranistin Golda Schultz
Listen to this DW Made for Minds interview with Golda.
VAN Magazine: Love Seeps Through - An interview with soprano Golda Schultz
VAN Magazine: Love Seeps Through - An interview with soprano Golda Schultz.
Tagesspiegel: Recital at Pierre Boulez Saal, Berlin
“This was one of those nights that you later tell your amazed friends and family about: Yes, I was there when tickets for a Golda Schultz performance were still available at the box office…”
San Francisco Classical Voice: The Unstoppable Golda Schultz (Feature)
She was on her way to becoming an investigative journalist at Rhodes University in Grahamstown, South Africa, when she took a music class and stumbled upon a recording of Die Fledermaus featuring Kiri Te Kanawa. Journalism’s loss became a huge win for classical music…
Abendzeitung München: Bayerische Staatsoper
“Golda Schultz musically hits the blend of elegy and enthusiasm that is essential for a good Agathe.…”
Neue Musik Zeitung: Bayerische Staatsoper
“Outshining them all was soprano Golda Schultz: her Agathe sounded like golden sunshine, yet soft, effortlessly malleable and warm-hearted...”
BR-Klassik - Premiere Review: “Der Freischütz” at The Bavarian State Opera
A Premiere Review of “Der Freischütz” at The Bavarian State Opera, by Bernhard Neuhoff at BR-Klassik.
Klassik begeistert: Bayerische Staatsoper
“Golda Schultz is the undisputed winner [of the evening]. Her beautifully timbred lyric soprano has delightful colours, technically the voice is well led, her diction is clean and she forms a well-balanced pair with Max.”
Deutschlandfunk Kultur - “Der Freischütz” at The Bavarian State Opera
Deutschlandfunk Kultur is a culture-oriented radio station, and they recently reviewed "Der Freischütz" at the Bavarian State Opera. Listen to the review on radio, or read it online.
Seen and Heard International - BBC: Last Night of the Proms
Read the full review of BBC’s Last Night of the Proms, by Jim Pritchard of Seen and Heard International.
iNews - BBC: Last Night of the Proms
Last Night of the Proms, BBC, review: Forget the controversy — this joyful music comforted, nourished, and moved. Read the full review online.
The New York Times - Review: A Radiant Revival of ‘Der Rosenkavalier’
Richard Strauss's “Der Rosenkavalier” has several truly sublime and justly beloved scenes and ensembles. With a good cast and conductor, these are almost surefire moments in any performance. But “Rosenkavalier” also contains whole stretches of heavy-handed comedy that can seem to go on forever.
OperaWire - Metropolitan Opera 2019-20 Review: Der Rosenkavalier
Read OperaWire’s “Metropolitan Opera 2019-20 Review: Der Rosenkavalier” by David Salazar.