Meet Golda Schultz

South African. Soprano. Connecting people through music, one song at a time.

In the limelight of the world’s opera houses, one voice shines with particular brightness – that of the soprano Golda Schultz.

Where she began

Golda was born in Cape Town, South Africa, in 1983. Her mother is a retired nurse, and her father is a retired university professor of Mathematics. Golda studied journalism at Rhodes University before switching to singing at the University of Cape Town, and then at the Juilliard School in New York.

In 2011, Golda won a place at the Opera Studio of the Bavarian State Opera in Munich, after which her career developed rapidly. From her base in Germany, she has conquered the world’s opera houses and concert halls, from the Vienna State Opera to the Salzburg Festival; and from the Royal Opera House in London to the Metropolitan Opera in New York, to name but four.

Golda Schultz’s debut solo album, This Be Her Verse, was released in 2022 on the Alpha Label and explores the worlds and inspirations of female composers from the Romantic era to present day, including new commissions and curated together with long-time collaborative pianist Jonathan Ware. It was heralded as “one of the most powerful lieder albums of the recent past” (Munich Merkur), and “confirms her versatility and musical intelligence” (The Guardian). In her second and most recent release Mozart,You Drive Me Crazy!, Schultz examines the complexities of the female experience in the three da Ponte operas in collaboration with Antonello Manacorda and Kammerakademie Potsdam. According to Radio BR-Klassik, Golda showed a “vocal virtuosity in the most various roles” and “an enormous range”, the German magazine Concerti title their critic with “Perfection and self-confidence”, while the Guardian concluded: “...spirited, thoughtful performances…More than a nice set of highlights, this album makes you think.”

Where she’s been

In 2020, Golda appeared in the iconic Last Night of the Proms in London; the following year, she portrayed the role of Clara in the Metropolitan Opera’s Grammy Award-winning production of Porgy and Bess. In 2022 Golda was described as a “gifted soprano” when she received the Bavarian government’s Special Prize for Culture. She was also named Artiste Étoile by the Lucerne Festival the same year. For her role as Sophie in Der Rosenkavalier at the Staatsoper Unter den Linden 2023 she was acclaimed as the “ideal cast” by the German press. In the same year she also returned to the Wiener Staatsoper (as Contessa Almavira in Le nozze di Figaro) and made a highly anticipated role debut as Donna Anna in Don Giovanni at the Opernhaus Zürich. Opera highlights of the 2024/25 season included Ann Trulove in The Rake’s Progress at Opéra National de Paris, conducted by Susanna Mälkki, as well as a house debut at the Semperoper Dresden (Agathe in Der Freischütz) and a return to the MET as Pamina. Concerts in this same season included a return to the BBC Proms for Fauré’s Requiem with BBC Symphony Orchestra conducted by Stéphane Denève, Strauss’ Vier letzte Lieder with Tonhalle-Orchester Zürich conducted by Paavo Järvi, and Ravel’s Shéhérazade with Orchestre de Paris under Stanislav Kochanovsky.

Where she’s going

Golda’s further season 2024/2025 will see her on a tour in Germany and France of Der Freischütz with Kammerakademie Potsdam and Antonello Manacorda (April / May 2025), and Mahler Symphony No. 8 with Royal Concertgebouw Orchestra under the baton of Klaus Mäkelä.

This summer, Golda will return to her role as Donna Anna in Don Giovanni at the festival d’Aix-en-Provence. This will be the eighth production of the Festival’s most emblematic work and will be conducted by Sir Simon Rattle. For the beginning of the new season 2025/2026 she will be – among other many exciting roles–  debuting as Rosalinde in Die Fledermaus at the Opernhaus Zürich and singing a Duet Gala in her home country at the Cape Town Opera, with Baritone Jacques Imbrailo. 

  • "Golda Schultz brings to Ann Trulove a care of the vocal line, the specific character of her timbre, her expressive and enchanting pianissimos."

    The Rake's Progress, Olyrix, December 2024

  • "Impeccably expressive, with warm high notes naturally imbued with both hope and sadness, the soprano stands out for her excellent vocal projection: she single-handedly elevates the scene in the hospital where Tom Rakewell is moping to a luminous moment of sensitivity rather than complacency..."

    The Rake's Progress, Premere Loge, December 2024

  • "Amid the fluff and feathers, Schultz manages to give an insipid role remarkable depth and dimension. Her Trulove is impassioned and intelligent, and somehow, despite her victim status, seems always in charge of her destiny. When she shows compassion for Baba, for whom Tom jilts her, the gesture has stature"

    The Rake's Progress, Financial Times, December 2024

  • “The glory of this revival was Golda Schultz, here making a belated Royal Opera debut. The South African soprano is blessed with one of the most golden, rich-toned voices of her generation and Fiordiligi was the ideal role for her…Here we had a great singer doing fabulous work and nothing else mattered.”

    Così fan tutte, Opera, September 2024

  • “Schultz and Ware made each song a deeply involving short story. She gives listeners the feeling that each piece of music is being newly discovered as she delivers it, a sense of wonder being transmitted from artist to audience.”

    This Be Her Verse, Star Tribune, April 2024

  • “Golda Schultz’s sparkly soprano was beautifully suited to the vocal solo in the final movement. Her absolute optimism was seemingly untouched by earthly matters.”

    Mozart Concert, New York Times, February 2024

  • “Her voice has a very characteristic colour from the middle register onwards, which allows for rich differentiation. In the treble, especially in the coloratura Schultz’s voice appears weightless. Nowadays, no top-class Mozart ensemble could be without this singer, who has the highest level of technical possibilities and, above all, her impressive creative power.”

    Mozart Matinée, Drehpunktkutur, August 2023

  • "Schultz’s tone had the gentle, silky glow of moonlight, but with a glisten that penetrated, and she gave a sense of both Adina’s independence and her vulnerability."

    L'elisir d'amore, NY Times, January 2023

  • “Golda Schultz is one of those astonishingly gifted South African singers who are now taking the world’s opera houses and concert halls by storm…Schultz has a magnificent vocal instrument, rich and glowing throughout the range, with not a weak patch anywhere…overall this is a stunning debut disc of a soprano who is well on the way to operatic stardom.”

    This Be Her Verse, The Telegraph, April 2022

  • “In what could well be the most exquisitely beautiful music to be heard in the Edinburgh Festival…Schultz and Ware were so much more than singer and accompanist, their subtle shading spinning long smooth lines suspended in shimmering light.” ★ ★ ★ ★ ★

    This Be Her Verse, The Scotsman, Aug 2022

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