Meet Golda Schultz

South African. Soprano. Connecting people through music, one song at a time.

In the limelight of the world’s opera houses, one voice shines with particular brightness – that of the soprano Golda Schultz.

Where she began

Golda was born in Cape Town, South Africa, in 1983. Her mother is a retired nurse, and her father is a retired university professor of Mathematics. Golda studied journalism at Rhodes University before switching to singing at the University of Cape Town, and then at the Juilliard School in New York. In 2011, Golda won a place at the Opera Studio of the Bavarian State Opera in Munich, after which her career developed rapidly.

From her base in Germany she has conquered the world’s opera houses and concert halls, from the Vienna State Opera to the Salzburg Festival; and from La Scala, Milan, to the Metropolitan Opera in New York, to name but four.

Where she’s been

In 2020 Golda appeared at the Last Night of the Proms in London, and the following year the recording of Porgy and Bess, in which she portrayed the role of Clara, received a Grammy Award. In 2022 Golda was described as a “gifted soprano” when she received the Bavarian government’s Special Prize for Culture. She was also named Artiste Étoile by the Lucerne Festival the same year.

Her debut album with the pianist Jonathan Ware was likewise released in 2022: This Be Her Verse is devoted to female composers who until then had been ignored by music historians. Reviewers were enthusiastic: the Munich Merkur described it as “one of the most powerful lieder albums of the recent past”, while the Guardian welcomed it as a further demonstration of Golda’s versatility and musical intelligence. The Neue Zürcher Zeitung spoke of the soprano “singing with so much dramatic talent, such magnificent use of tone, colours, and such a feeling for swing that even Schubert and Schumann would have swallowed hard.” This album demonstrates Golda’s great love of lieder and concert singing, a world in which she is just as much at home as she is in the realm of opera.

Where she’s going

Golda’s plans for 2023/24 include Mahler’s Fourth Symphony with the New York Philharmonic, and an appearance at the Dresden Staatskapelle’s New Year Concert, which will also be broadcast on German television.

Golda will take part in a performance of Beethoven’s Ninth Symphony with the Gewandhaus Orchestra under Andris Nelsons as part of a major Arte project marking the bicentenary of the symphony’s first performance in 1824. Additionally, Golda will give recitals in Princeton; at the Bavarian State Opera; at the Schubert Club in Saint Louis; at the Schubertiade; and at the Barcelona Schubertiada.

As an opera singer, Golda will bid farewell to the role of Sophie in Strauss’s Der Rosenkavalier, when she makes her Berlin State Opera House debut. This is a role in which she has enjoyed a number of major successes, and the goodbye will be bittersweet.

But it is Mozart who is central to her operatic repertory during the 2023/24 season. For the Zurich Opera she will appear as Donna Anna in Don Giovanni; while Vienna State Opera audiences will hear her as Countess Almaviva in Le Nozze di Figaro. Golda will also make her Royal Opera House debut as Fiordiligi in Così fan tutte. In the Spring of 2024, Golda’s second solo album - also devoted to Mozart - will appear on the Alpha label. Appearing with her is the Potsdam Chamber Academy under Antonello Manacorda.

  • "Golda Schultz brings to Ann Trulove a care of the vocal line, the specific character of her timbre, her expressive and enchanting pianissimos."

    The Rake's Progress, Olyrix, December 2024

  • "Impeccably expressive, with warm high notes naturally imbued with both hope and sadness, the soprano stands out for her excellent vocal projection: she single-handedly elevates the scene in the hospital where Tom Rakewell is moping to a luminous moment of sensitivity rather than complacency..."

    The Rake's Progress, Premere Loge, December 2024

  • "Amid the fluff and feathers, Schultz manages to give an insipid role remarkable depth and dimension. Her Trulove is impassioned and intelligent, and somehow, despite her victim status, seems always in charge of her destiny. When she shows compassion for Baba, for whom Tom jilts her, the gesture has stature"

    The Rake's Progress, Financial Times, December 2024

  • “The glory of this revival was Golda Schultz, here making a belated Royal Opera debut. The South African soprano is blessed with one of the most golden, rich-toned voices of her generation and Fiordiligi was the ideal role for her…Here we had a great singer doing fabulous work and nothing else mattered.”

    Così fan tutte, Opera, September 2024

  • “Schultz and Ware made each song a deeply involving short story. She gives listeners the feeling that each piece of music is being newly discovered as she delivers it, a sense of wonder being transmitted from artist to audience.”

    This Be Her Verse, Star Tribune, April 2024

  • “Golda Schultz’s sparkly soprano was beautifully suited to the vocal solo in the final movement. Her absolute optimism was seemingly untouched by earthly matters.”

    Mozart Concert, New York Times, February 2024

  • “Her voice has a very characteristic colour from the middle register onwards, which allows for rich differentiation. In the treble, especially in the coloratura Schultz’s voice appears weightless. Nowadays, no top-class Mozart ensemble could be without this singer, who has the highest level of technical possibilities and, above all, her impressive creative power.”

    Mozart Matinée, Drehpunktkutur, August 2023

  • "Schultz’s tone had the gentle, silky glow of moonlight, but with a glisten that penetrated, and she gave a sense of both Adina’s independence and her vulnerability."

    L'elisir d'amore, NY Times, January 2023

  • “Golda Schultz is one of those astonishingly gifted South African singers who are now taking the world’s opera houses and concert halls by storm…Schultz has a magnificent vocal instrument, rich and glowing throughout the range, with not a weak patch anywhere…overall this is a stunning debut disc of a soprano who is well on the way to operatic stardom.”

    This Be Her Verse, The Telegraph, April 2022

  • “In what could well be the most exquisitely beautiful music to be heard in the Edinburgh Festival…Schultz and Ware were so much more than singer and accompanist, their subtle shading spinning long smooth lines suspended in shimmering light.” ★ ★ ★ ★ ★

    This Be Her Verse, The Scotsman, Aug 2022

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