Discography

April 12, 2024 • Alpha Classics

"Mozart, you drive me crazy!"

Like her debut album, This Be Her Verse, Golda has dedicated her new album to women - although, this time the focus is on female protagonists from Mozart's operas, more precisely: female characters from Don Giovanni, Così fan tutte and Le nozze di figaro, which librettist Lorenzo Da Ponte conceived. Golda is accompanied by the Kammerakademie Potsdam under conductor Antonello Manacorda.

What fascinates Golda so much about these female protagonists that she has dedicated an entire album to them?

"At the end of each of these three operas, these women are different people to the ones we got to know at the beginning - in complete contrast to many male protagonists, by the way. Don Giovanni, for example, was, is and remains a one-dimensional hedonist. The women go through grief and pain, learn to deal with it, live with it and ultimately grow from it. They had to, and still have to, fight for their identity in a patriarchal society," says Golda. “The constant pressure to be a woman - available, friendly, loyal, chaste, beautiful, playfully challenging - is still frighteningly relevant today.”

And why does Mozart drive Golda mad?

"These Da Ponte roles are an absolute gift for singers, but they also represent an extraordinary, even superhuman challenge. As an interpreter, you have to find a balance between the divine and the human, between pathos and lightness, between vocal perfection and emotional closeness. You have to risk everything. You have to at least try to make the impossible possible. And that can really drive you crazy!

Listen on Spotify

Golda’s new single is also featured on the following playlists:

April 8, 2022 • Alpha Classics

This Be Her Verse

“What if a woman wrote the song?” This question drives a recital of songs by female composers performed by soprano Golda Schultz and pianist Jonathan Ware. Opening with works by Clara Schumann and Emilie Mayer (including her setting of the ballad Erlkönig ), this recital weaves stories of women’s experience with fantastic tales of powerful sirens like the Lorelei. The great American-British violist and composer Rebecca Clarke’s arresting William Blake settings offer a woman’s perspective on texts also set by Benjamin Britten. Devotional works from Nadia Boulanger reveal a compositional master in her own right, in addition to her legendary status as pedagogue to innumerable greats including Aaron Copland and Daniel Barenboim. This be Her Verse, a song cycle by poet-librettist Lila Palmer and composer Kathleen Tagg was directly commissioned by the artists to conclude the programme and add an important contribution to the repertory: Songs written by women, about women, highlighting the female experience.

Composers

Clara Schumann, Rebecca Clarke, Nadia Boulanger, Emilie Mayer, and Kathleen Tagg

Album Singles

January 21, 2022 • Dynamic

Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis"

Orchestra and Chorus Teatro Regio Torino

Conductor - Stefano Montanari

Golda Schultz, Katrin Wundsam, Martin Mitterrutzner, Nahuel di Pierro

2019/2020 • Metropolitan Opera • CD/DVD

The Gershwins’ Porgy and Bess

2021 GRAMMY Award Winner - Best Opera Recording

This audio recording from September 23 and October 16, 2019, and this Live in HD recording from February 1, 2020 captures the Met’s historic – and hugely acclaimed – new production of the Gershwins’ Porgy and Bess, which brought America’s favorite opera back to the Met stage after a 30-year absence.

The ideal cast is headlined by Eric Owens and Angel Blue as the title characters, alongside Latonia Moore, Golda Schultz, Alfred Walker, Frederick Ballentine, and Denyce Graves.

  • Composer: George Gershwin

  • Artists: Eric Owens, Angel Blue, Frederick Ballentine, Alfred Walker, Latonia Moore, Golda Schultz, Denyce Graves, Donovan Singletary, Metropolitan Opera Orchestra & Chorus

  • Conductor: David Robertson

  • Director: James Robinson

2016 • Teatro alla Scala • Blu-ray/DVD

Le Nozze di Figaro

Milan La Scala Chorus
(chorus master: Bruno Casoni)
James Vaughan, fortepiano
Simone Groppo, cello
Milan La Scala Orchestra
Franz Welser-Möst, conductor

Frederic Wake-Walker, stage director
Antony McDonald, set and costume designer
Fabiana Piccioli, lighting designer

Il Conte d’Almaviva - Carlos Álvarez
La Contessa d’Almaviva - Diana Damrau
Susanna - Golda Schultz
Figaro - Markus Werba
Cherubino - Marianne Crebassa
Marcellina - Anna Maria Chiuri
Bartolo/Antonio - Andrea Concetti
Basilio/Don Curzio - Kresimir Spicer
Barbarina - Theresa Zisser
Prima contadina - Francesca Manzo
Seconda contadina - Kristín Sveinsdóttir