The New York Times Review: “Two Concerts Reveal a Dramatic Shift Between Mahler Symphonies”
“Golda Schultz’s sparkly soprano was beautifully suited to the vocal solo in the final movement. Her absolute optimism was seemingly untouched by earthly matters. ”
Over consecutive evenings, the New York Philharmonic and the Metropolitan Opera Orchestra performed Mahler’s works on programs with star sopranos.
Gustav Mahler had a near-death experience between the composition of his Fourth and Fifth symphonies. They were separated by a gulf that listeners could plunge into this week in consecutive concerts by the New York Philharmonic and the Metropolitan Opera Orchestra.
