In the Media
San Francisco Classical Voice: The Unstoppable Golda Schultz (Feature)
She was on her way to becoming an investigative journalist at Rhodes University in Grahamstown, South Africa, when she took a music class and stumbled upon a recording of Die Fledermaus featuring Kiri Te Kanawa. Journalism’s loss became a huge win for classical music…
BR-KLASSIK: An Interview with Golda Schultz
BR Klassik is a Munich-based public radio station and classical record label, available on the radio, on television and online. This is an excerpt of an interview with Golda Schultz from their show Klick Klack.
Abendzeitung München: Bayerische Staatsoper
“Golda Schultz musically hits the blend of elegy and enthusiasm that is essential for a good Agathe.…”
Neue Musik Zeitung: Bayerische Staatsoper
“Outshining them all was soprano Golda Schultz: her Agathe sounded like golden sunshine, yet soft, effortlessly malleable and warm-hearted...”
BR-Klassik - Premiere Review: “Der Freischütz” at The Bavarian State Opera
A Premiere Review of “Der Freischütz” at The Bavarian State Opera, by Bernhard Neuhoff at BR-Klassik.
Klassik begeistert: Bayerische Staatsoper
“Golda Schultz is the undisputed winner [of the evening]. Her beautifully timbred lyric soprano has delightful colours, technically the voice is well led, her diction is clean and she forms a well-balanced pair with Max.”
Deutschlandfunk Kultur - “Der Freischütz” at The Bavarian State Opera
Deutschlandfunk Kultur is a culture-oriented radio station, and they recently reviewed "Der Freischütz" at the Bavarian State Opera. Listen to the review on radio, or read it online.
Seen and Heard International - BBC: Last Night of the Proms
Read the full review of BBC’s Last Night of the Proms, by Jim Pritchard of Seen and Heard International.
iNews - BBC: Last Night of the Proms
Last Night of the Proms, BBC, review: Forget the controversy — this joyful music comforted, nourished, and moved. Read the full review online.
The Guardian - Golda Schultz: ‘Odd is the word for this Last Night of the Proms’ (Interview)
In this interview with Fiona Maddocks from The Guardian, Golda talks about making music in lockdown, her nearly career as a journalist and the joy of cocktails.
Living the Classical Life - Feature Interview, Episode 81
Living the Classical Life: Episode 81 - an interview with Golda Schultz, where she discusses, among other things, her namesake Golda Meir, honesty in social media, and how to process pain and joy in life. She concludes with a jaw-dropping incident that cured her crippling stage fright.
The New York Times - Review: A Radiant Revival of ‘Der Rosenkavalier’
Richard Strauss's “Der Rosenkavalier” has several truly sublime and justly beloved scenes and ensembles. With a good cast and conductor, these are almost surefire moments in any performance. But “Rosenkavalier” also contains whole stretches of heavy-handed comedy that can seem to go on forever.
OperaWire - Metropolitan Opera 2019-20 Review: Der Rosenkavalier
Read OperaWire’s “Metropolitan Opera 2019-20 Review: Der Rosenkavalier” by David Salazar.
New York Classical Review - The Metropolitan Opera
“Met’s satisfying “Rosenkavalier” reboot is more than the sum of its parts” - a review by Eric Simpson from the New York Classical Review.
The New Criterion - Carnegie Hall Recital
On the pianist Marc-André Hamelin; Orfeo ed Euridice at the Metropolitan Opera; the Munich Philharmonic, conducted by Valery Gergiev; and the soprano Golda Schultz. By Jay Nordlinger of The New Criterion.